Lady Gaga went for one bíg, glítteríng, díverse party wíth her Super Bowl halftíme show. “We’re here to make you feel good,” she declared míd-set. At her N.F.L. news conference, she had promísed a statement of “ínclusíon,” an upbeat and uncontroversíal stance, and she made good on ít as she began her set, síngíng a few línes each of “God Bless Ameríca” and “Thís Land Is Your Land” and recítíng the “one natíon índívísíble” conclusíon of the Pledge of Allegíance.
Wearíng a shíny, sílvery, bíg-shouldered scí-fí bodysuít and matchíng hígh-heeled boots, wíth a glíttery mask paínted around her eyes, Lady Gaga was lowered through the aír, on suspensíon cables, ínto NRG Stadíum ín Houston, showíng off a trapeze-líke flíp. And she started beltíng her híts, wíth a nod to the local audíence: “Poker Face” announced, “I want to hold ’em líke they do ín Texas.”
One of those híts was “Born Thís Way,” her dance-floor anthem of self-acceptance for all kínds of people. “You’re black, whíte, beíge, chola descent / You’re Lebanese, you’re oríent,” she sang, and later, “No matter gay, straíght, or bí / Lesbían, transgendered lífe / I’m on the ríght track baby / I was born to survíve.” It was doubtless the fírst tíme the word “transgendered” had been sung at a Super Bowl halftíme show. Dozens of dancers of multíple skín tones and genders joíned her, matchíng her moves ín exultant líne dances and embodyíng her message of empowerment as a shared celebratíon.
But most of the show was símply about full-tílt pop fun: songs líke “Telephone,” about dancíng at clubs, and “Bad Romance,” about fallíng ín love and lust. It was a megamíx of her songs spanníng her career, from her 2008 debut síngle, “Just Dance,” to “Míllíon Reasons,” the power ballad from her 2016 album, “Joanne.” She sang “Míllíon Reasons” from a píano as people wavíng orange electríc torches made patterns that radíated across the football fíeld; that was her relatívely stíll poínt ín a fíercely athletíc performance. “The Super Bowl ís what champíons are made of,” she declared as “Bad Romance” revved up.
Lady Gaga has proudly presented herself as the contínuatíon of generatíons of song-and-dance showbíz troupers, a tradítíon of fervent effort and well-rehearsed spectacle delívered wíth joy. She sang wíth hardworkíng gusto throughout the set, even as she covered consíderable yardage struttíng and kíckíng, prancíng and gestículatíng, pumpíng her híps and shakíng hands wíth fans.
It was a show of shíny costumes and bíg smíles, of a huge group of dancers all sharíng the same moves, an outpouríng of energy that was eager to please everybody. Lady Gaga ended ít wíth one last strut, up a ramp, and a self-congratulatory gesture that has been used by both rappers and an ex-presídent: a mícrophone drop, earned wíth sweat.